Fine Art Prints
Shono, Fifty Three Stations of the Tokaido Road, 1962
Color woodcut on Japanese laid paper with "Jun Sekino" watermark, 12 3/4 x 18 1/8 inches, signed in pencil, with artist's seal, annotated and titled in pencil, good impression, color and condition.
Horse Frightened by Lightning, 1939
Lithograph on wove paper, image 171/4 x 22 1/2 inches, sheet 19 3/4 x 25 3/4 inches, an artist's proof aside from the edition of 75, signed and titled in pencil, printed by Lynton Kistler, Los Angeles, California, with Kistler's pencil chop. A very good impression, full margins with deckle edges, good condition aside from minor soiling in margins. Illustrated in Los Angeles Prints, 1883-1980, Feinblatt, 1980, pl.46, pg.54. No. 12-1348
Family Flats, 1934
Lithograph on heavy Japanese wove paper, 15 5/8 x 21 3/4 inches, an "artist's proof" aside from the edition of 75, signed in pencil, a very good impression, good condition aside from minor soiling in margins and verso, minor tape stain verso. No. 14-1049
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Reclining Horse, 1925
Lithograph on thin wove paper, 71/4 x 9 3/8 inches, signed and titled in pencil. Printed by Lynton Kistler, Los Angeles, California, with Kistler's pencil chop, good impression and condition. No. 12-1235
My Studio, 1944, Cole 63
Lithograph on wove paper, 12 1/4 x 9 5/8 inches, from the edition of 250. published by the Associated American Artist, New York. Signed and titled in pencil, good impression and condition. No. 30-0002
Las sombras y la cruz negra de la capilla de la Sangre de Cristo en Cuartelez.
From the Suite: Las sombras de los edificios religiosos de Nuevo Mexico Norte, 1983-1985
Color aquatint with etching on Cuervo Handmade wove paper, image 11 5/8 x 11 3/4 inches, sheet 20 x 20 inches. Printed by Robert Blanchard, Albuquerque, New Mexico. One of 5 Artist Proofs aside from the edition of 54 with 9 in Roman Numerals, signed and annotated "AP" in pencil, very good impression, color and condition. No.10-1529
Glittering Sea, 1926, The Inland Sea series, Ogura 38
Color woodcut print on heavy Japanese paper, oban tate-e (14 5/8 x 9 3/4 inches), signed in pencil and brush, with jizuri seal in left margin, good impression, color and condition. No. 10-1124
Nameless Experience-Roma, Composition I, 1955
Color woodcut on Japanese paper, 21 x 12 inches, signed, dated, titled and numbered in pencil, from the edition of 1/10, good impression, color and condition. Annotated in pencil lower margin. No. 10-2129